AUTHORS AND SCHOLARS

Ancient Egypt in Rome

Apuleius

Apuleius, a Latin writer of the 2nd century AD, was initiated into the Mysteries of Isis during a journey to Egypt, an experience he vividly describes in Metamorphoses (also known as The Golden Ass), the only surviving Latin novel that provides direct insight into the cult of Isis. The novel’s protagonist, Lucius, is transformed into a donkey due to a magical mishap and, in his desperation, prays to the goddess for salvation. One night, Isis appears to him in a divine vision, radiating splendor and adorned with the symbols of her Alexandrian iconography. She promises him redemption: during the festival of the Navigium Isidis the next day, he will regain his human form by eating a crown of roses offered by a priest. Following her instructions, Lucius is restored to his human state and, overwhelmed with gratitude, dedicates his life to the goddess. The novel contrasts blind Fortune, which had led Lucius to his downfall, with providential Fortune, embodied by Isis, who rescues and guides him toward spiritual initiation. The work offers valuable testimony to the widespread worship of Isis, particularly in Rome, where Lucius ultimately completes his religious journey at the Iseum Campense. Through Metamorphoses, Apuleius masterfully blends autobiographical elements, religious philosophy, and mystery traditions, making the novel an indispensable source for understanding the Isis cult in the Roman world. SOURCE: B. de Rachewiltz, A. M. Partini - ROMA EGIZIA: cults, temples and Egyptian divinities in Imperial Rome - Mediterranean Editions Rome

Athanasius Kircher

Athanasius Kircher (1602–1680) was a German Jesuit, philosopher, and polymath renowned for his extensive intellectual pursuits, which spanned disciplines from geology to linguistics.

He dedicated part of his research to ancient Egypt, particularly focusing on the figure of Isis, whom he interpreted as a symbol of divine wisdom.

According to Kircher, the goddess embodied the universal principle of knowledge, a force permeating the cosmos through which the Egyptians sought to understand both nature and the divine.

He wrote: “The divine Dionysius testifies that all created things are nothing but mirrors in which the rays of divine wisdom are reflected for us. From this, the Egyptian sages created the image of Osiris who, having entrusted all things to Isis, invisibly permeated the entire world.”

Kircher believed that the images and myths associated with Isis were allegories of hidden truths—reflections of supreme wisdom. In his works, he asserted that “all created things are nothing but mirrors in which the rays of divine wisdom are reflected” and that Isis was the guardian of this esoteric knowledge, transmitting it to initiates through religious mysteries.
Although his interpretations were based on flawed assumptions, Kircher's work significantly shaped European perceptions of ancient Egypt.

His studies fueled the phenomenon of Egyptomania and contributed to the mystical aura surrounding Isis, which persists to this day.

Elements of his vision can be found in art, Freemasonry, and even in Mozart’s opera The Magic Flute, where wisdom and enlightenment—concepts often linked to the goddess—play a central role.
While Kircher did not scientifically decipher hieroglyphics, his scholarship paved the way for renewed interest in Egyptian symbolism, reinforcing the idea of Isis as an emblem of hidden, universal knowledge accessible only to those capable of grasping its deeper meaning.

SOURCE: Wikipedia, Wikiquote, Adelphi

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